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l EXHIBIT: 1500 Degrees Fahrenheit at Colborne Art Gallery i mA ap>â€"org enroge _ o46 2jj 2 & mrom oi i . M # FdbDAy -gr Pn ol e peapeh s 2e cramahebrie{ I F k es CRAMAHE TO GET LooPED ~€ e | _ ie | _ CRAMAHE TOWNSHIP â€" When aue l , Northumberland County began | â€"A J _ ted f work on Percy Street and Big 1€ L 14â€" | @ fet Apple Drive in Cramahe Township, f ze .â€"â€" t . ~ _ emiipind l the township approved the instalâ€" â€" <. â€" m &â€" S / G f | es :s ; â€" lation of watermains under the 4* . 5 foy, * _ * m j h: e ts, S newly constructed section of \ m i e i C l, 1 o e county road. The goal was to one Je o \ll ue . 1. S us day complete a loop in the water § Sn + ie =m t rfi PW . supply system, thus making Colâ€" in i ie NRP L. e borne‘s water delivery more e e ofi clre e + secure. 3 s > 4 : e C f >~. It just wasn‘t supposed to uht y aps e mt "whappen this soon. The road conâ€" 4 Pss ‘ ~u=e : «struction is nearly complete on i t 99 :‘ Mess ho 9 ud ‘»the county section of the road and | \ tm y : \ tnCs will be, with the laying of sideâ€" * w o | . . C walks requested years ago by the C * Gramahe Ratepayers Association. s W1l © ~ + | Thinking ahead, Cramahe works _ > | i Bm . s ueP . *h director Dan O‘Brien approached We este~..., 2 Cl poees t _ lel the engi’neeringfim; in charge of the C i ngpnomienimemencme olsn 9: o @oesl county work and asked about the i?;?;:‘fptx;fii * _ 2its ) 1 es o ol : cost of laying the last 240 metres of ts m o ds prtne n o m‘@me;sh\ Watermain and road paving. Eie ies uit ces l He presented his findings at tf'%;- ns ogth e H(gr»”:“" Neb e . _ Cramahe Council on July 17 and $ itc a e | ~|| rrtmcreppoetirtog, e g . sasege. ahead now. The engineers from " i 6 McCormick Rankin advised him Mary Lou Burnside prepares a dam acll'ound thFe Eiassh s!lte is worklag on to keep it that the required work completed from spreading when fused at 1500 degrees Fahrenheit. : now would cost $94,000. If the ‘\f DJ\‘T*gf"'fHfl ERLUALVD 3b0Af â€" A «& 2/ 12 township waits and the equipment m m m has to be brought in later, the cost the artistic side > *::>= e e e a ; â€"Bob Owen I CECILIA NASMITH committee and h;alping n_witlt: the hysical setâ€"up of various. shows, | Northumberlandliodes guÂ¥nside has[::rmtributed two to COLBORNE â€" Inspiration can be â€" three new works for each of the eight seen in many kinds of visual arts â€" exhibitions per year. fabrics, photographs, painting$ _ ‘This membership has taken her > prints, sculpture. â€"___ work to a wider and more discerning In Mary Lou Burnside‘s work, it is audience, she said. She also credits the world of glass that fascinates. the talents of the other members with . Most pieces begin with a pattern in inspiring her to greater creative mind. After sketches and decisions . heights â€" which includes seeking out about the form and function of the â€" new challenges. piece, a fairly scientific procedure "Other glass artists influence my must be carefully followed involving . process," she said. sheets of glass, molds and specific "There are several gurus out there processes that have developed or perfected "In the real world, sometimes techniques or processes that really things go sideways and, for various appeal to me, such as crackle glass or reasons, I end up with a piece that bas relief. I‘ve studied with some of doesn‘t quite resemble the initial â€" these artists, and I am so pleased to design. But that‘s where the exciteâ€" be able to use the knowledge I‘ve ment and satisfaction of this art form _ gained from them in my work. comes in," Burnside said. "I‘m schedul.ed to take.another s "The more experienced and knowlâ€" course in Batavia, N.Y., this August edgeable I become, the more unique with a visiting artist from Ireland, and interesting the results of my work who teaches colour reactions are. Confidence in my skills and in getwetlan differ?nt types of glass and ipulation of the different proâ€" deep slumping. + g:::z:r:gsws the design process to The show in the gallery at 51 King | flow easier. St. E., Colborne, will open many eyes "Also, I finally accepted the to the wonderful transfqrmati_ve supremacy of the Kiln Gods. They â€" properties of glass and the inventive have the final say on how a piece. . mind of Mary Lou Burnside. R comes out of the kiln." An opening reception will run July Burnside is a member of the coâ€" _ 14 fro 2 to 4 p.m., and the show conâ€" operatively run Colborne Art Gallery, _ tinue through Aug. 19. â€" where her exhibit 1500 Degrees Gallery hours are Thursday © Fahrenheit (named for the ltica)mperaâ€" through Sunday, noon to 5 p.m. i is fused) opens ; ts::,z;;: faees s * cecilia.nasmith@sunmedia.ca Along with chairing the fundraising _ twitfer.com/NT_crnasmith @